Screaming Loud

My mom created because she had to.  She had an internal need to make as many artists do.  It had nothing to do with sensationalism, competition or making money.  I know, because I have the same need.  Is it possible that making art is something we all need?

Creativity is something we are all born with.  Most of us loose it long before adulthood.  The debate is why?  Being able to see objects, and I mean really see them, is the basis of drawing and rendering.  At some point in growing up, humans loose the ability of sight and sensuality.  Sometimes, kids stop making art because of the peer embarrassment of being different.  Maybe it is the media that is the culprit.  We are dizzy and cannot think because of being constantly bombarded with commercials, adds and information with no meaning.  We have learned to interact on a very impersonal and looming level with others day to day.  Since when have you asked, “How are you today?” and wanted to hear the real answer.

What I do know, is that being an artist has saved me from a corporate non thinking zombie world.   My living proof is the adult students that tell me it is the best part of their week when they know it’s class day.  During class, they forget everything bad, stressful or even worse and concentrate on making. When they leave class, all the garbage from their life is forgotten. Although, I know we have plenty of camaraderie, laughs and giggles during class, the result of their three hours with me is much more important.

Making art is concentrating.  A kind of concentration you only get with meditating.  That is why artists can work in the studio for hours and not notice the time.  This kind of concentration releases stress and is empowering. Making art leads to greater self awareness and discipline. The artist gains confidence in themselves and their art opens doors to reveal more art to be made.  It is no secret that students that have art in their school systems have better test scores and apply themselves in a wider variety of interdisciplinary studies.

Recently, I had the joy of attending a “Girls Summit” at the Museum of Contemporary Art in Miami.  The theme was, girls gaining confidence through art education.  Considering myself a feminist artist and an activist for art education, I knew this was an important conference to  attend.  The women I met here were survivors, activists, educators and dedicated.  They were women who had seen results and were making their lives richer by helping to change the world a few students at a time.  This was a turning point for me,  I know that I have been going in the right direction all along.  Art for the girls that were taught under these programs, Women on the Rise, The Women’s Fund of Miami-Dade County, SOLHOT and SPARK was life changing.  The girls found they could draw what they felt, expressing themselves in a new language that was screaming loud in a room that was safe.

When was the last time you screamed and felt better?


Gateau

This cake was inspired by an evening stroll on South Beach when I came across a wedding reception. The guests had not arrived and I peaked in the art deco inspired windows. Inside was an all ivory hall decorated in ivory roses and ivory damask from floor to ceiling.

This cake sat for several months in greenware while I developed a screen printing damask pattern with our printmaking teacher, Amber Quimby. Having very little experience with screen printing, I wasn’t sure how to get this pattern on the curved surface. After much trial and error, I chose to print underglaze on paper and let the pattern dry completely. Then rewet the printed paper to prepare the transfer. And lastly, apply the wet print to the cake while it was still green ware. The transfer was successful and grainy in pattern. The pattern and uneven texture gave the cake the old vintage feel of flocked wallpaper. And of course, it was even more delicious coming out of the kiln. The green drips of glassy glaze couldn’t have made me happier.

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In class with Beginning Wheelthrowing

Give me a moment to brag and show off my beginning students that are struggling to learn to throw mugs.  I remember my first experience with wheelthrowing.  Val Cushing, my professor at Alfred University, wearing sweatpants and clogs demonstrated for several hours.  The way he handled clay nearly put me in a trance.  I watched him throw with one hand and took in his many years of experience and wisdom.  No matter how many notes and sketches I did,  it still took me a week to make a lopsided little cylinder.  I still have every one of my first pots.

Special thanks and credit to Meghan Pearson for the photos.


Beyond the Cake

This is my portfolio from my Masters Degree Thesis Exhibition at The University of Tulsa in 2006.

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Early Work

This is my portfolio from my Bachelor in Fine Arts Degree (1999) from the New York State College of Ceramics at Alfred University in Alfred, NY.

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A new ceramics studio

 

“As I have slowly started to think, write and create work again.  It is like coming out of a coma.  It reminds me that everyone should be working on their passion in life.  If not, we are not at our optimum performance. And that is not part of the big picture.” – a text to my sister from me on October 8, 2011.

I have a new job, new ceramics studio to start and a new city to explore.  This all happened very quickly within a months time.  It has taken me some time to absorb it all.  The shock has not worn off yet.

All of the walls are now finished and painted.  The kilns and kiln room is still in disarray.  The main studio is waiting for wedging tables and the glaze lab is waiting for the stainless steel dry storage work table.  Nonetheless, classes have started and the floor is a mess.  A messy ceramics studio, is a happy ceramics studio.

The following are the before pictures.  Welcome to the Autonation Academy of Art at the Museum of Art Ft. Lauderdale Studio School Annex building a division of Nova Southeastern Univeristy.

The Wheelthrowing and Handbuilding Studio during renovation.
The Glaze Lab being Gutted
The Kiln Room
The Arrival of our new Bailey Downdraft Gas Kiln
Moving Her (gas kiln) in

We also received seven out of twenty of our new Brent electric wheels this day.  Everyday something new arrives and it is better than Christmas

 
The studio addition continues………
 
 

 

 

Let Them Eat Cake!

I volunteered for Chef Jason Lucas as a photographer for a 9 year old’s birthday party at Let Them Eat Cake.  We had a great time and I loved every sticky bit of it!!  Soon, my ceramic cupcakes will be for sale in the lobby of Let Them Eat Cake in Tampa, Florida.

My new Chef hat gifted to me from Let Them Eat Cake Chef Jason Lucas

Chef Jason teaching the girls about pizza dough

First, Chef Jason taught the girls about the basics of dough and what makes it rise.  We learned how to roll out the dough, how much sauce to use and then added the most delicious toppings of our choice.  The roasted garlic was incredible and Chef Jason’s pizza dough is to die for!

Time for sauce

Rolling dough.

The finished pizza goes in the oven while we prepare the cake decorating supplies.  Each guests receive a 6 inch cake to decorate themselves and take home!  This was my dream birthday party!

The Pizza Aftermath

Artists at work

Pink, blue, green frosting!

Marshmallow cones and Twizzler antennas!!

This was my favorite! The everything cake!

To learn more about Chef Jason’s catering services, cooking classes and parties contact Let Them Eat Cake.


Nicki’s Fall Muffins

  • Handful of walnuts (I guess ¼ cup)
  • Unsalted sunflower seeds (for topping)
  • A handful of dried cranberries (I guess ¼ cup)
  • 1 3/4 cups mixed oats/whole wheat flour/flax seed mill
  • 1 cup of all purpose flour
  • 1 1/4 cups white sugar or brown (can use 1 cup if you don’t want them so sweet or go halfsies with Splenda)
  • 1 teaspoon baking powder
  • 1 teaspoon baking soda
  • 1 teaspoon salt
  • 1 teaspoons nutmeg
  • 1 teaspoons cinnamon
  • 1 teaspoons ground cloves
  • 1 teaspoon allspice (can omit if you don’t have)
  • 1 teaspoon cardamom (can omit)
  • 1 teaspoon of vanilla
  • A few tablespoons of soy/almond milk (the flax etc can make the batter too dry, add accordingly)
  • 3 eggs
  • 1 can pumpkin (I think the small can is 17 oz)
  • A tablespoon of margarine (can substitute applesauce)

Directions

  1. Preheat oven to 350 degrees F (175 C). Grease three 12 cup muffin pans, or line with paper muffin liners.  The muffins stick to the liners terribly.
  2. In a large bowl, combine all dry ingredients. In a separate bowl, mix the eggs, pumpkin, and margarine/applesauce, until smooth. Add this mixture to the dry ingredients and stir thoroughly to make a smooth batter (if batter is too dry add soy/almond milk. Stir the cranberries and walnuts into the batter. Spoon batter into the prepared muffin cups.  Top with about a tablespoon or more of unsalted sunflower seeds.  These give them a smidge nutty flavor and an extra protein punch.
  3. Bake for 30 to 35 minutes in the preheated oven, or until a toothpick inserted into the center comes out clean.

These were absolutely delicious.  It makes 12 muffins.  Welcome Fall y’all!


The Junkin’ Rules

I learned the rules in the back seat of a yellow Volkswagen Beetle that had a bumper sticker that read, “I brake for garage sales”.   The rules are as follows:  Don’t ask yourself if you need it, where you will put it or if you will use it.  Some, like me, are born into junkin’.  I started collecting before I knew what it meant.

It comes from the Hitchcock gene; my maternal Grandparents are responsible for my Aunt and mother’s garage sale radar.  It began with Maria’s junk store in North Catoosa, garage sales and dumpsters, escalating to auctions, estate sales, the flea market in Tulsa at the traffic circle on Mingo and Admiral on Sundays and any antique shop on the way.  I’m not sure if my dad loved it or just loved my mom.  Either way, the whole family was in on it.

It was my mom and aunt that first introduced me to the value of a good garage sale.  The early morning hours on Thursday and Friday, during the hot Oklahoma summer, were designated garage sale days with my Aunt Omie.

We would start with ice teas and looking for signs with addresses.  The criteria was strict and we bypassed all sales with a lot of baby stuff and too many baskets.

Hobby Lobby had become our favorite secondary hang out when it was late afternoon and there were no garage sales to attend.  I don’t remember the circumstances, but one day (I was about 10 years old) I wound up in the dumpster behind the store to dig out patterns discarded from the fabric department.  That day, my Aunt’s yellow Volkswagen Beetle was full from the back seat to the ceiling with fashion patterns. It was a turning point in our junkin’ routine.  From thereon, Hobby Lobby’s dumpsters became our personal treasure trove.

My grandfather, dad, sisters and spouses would often join in the junkin’ at Mr. Ed’s auction in Catoosa, Oklahoma.  It made for a lazy afternoon of hot dogs and entertainment for the entire family.  The days following, each would report on the prize found in the bottom of the mystery boxes purchased.   I still hold on to a glove box full of ladies gloves and a diary from the 1910’s describing milk deliveries.

When I moved to upstate New York to attend college, my obsession grew unstoppable.  My apartment had nothing and I was determined to fill it with vintage flair.  Ivan’s junk yard about 30 minutes from Alfred, New York is still on my list of number one for best finds.  I proudly display a slide cabinet and a library card catalog filled with old postcards that I got at Ivan’s for a steal.

On moving back to Oklahoma, my sisters and I revolutionized junkin’ by renting a cargo van and organizing “Ladies Day Out” as an annual spring event for close female friends and family only. With our theme song, “We are Family” and “Garage Sales and Busts” written in shoepolish on the windows, we set out on our annual tradition of bargain hunting. The trophy for getting the best bargain was a hideous candelabrum that went first to Brenda Edwards, who spray painted it to display in her home.

I will never forget the day when I won the trophy.  I had the least money to spend and it was in the form of coins in a Ziploc baggie.  The van ended up filled with my bargains, which I mostly received free of charge.  An elaborate gold guild frame the size of the van was jammed between the seats and the wheel wells and a box of vintage plastic flowers that stunk it up.  I proudly received the candelabrum trophy and added an antique finish and chandelier drops to finish the look.

After living in Florida for three years, I have yet to refine my junkin’ skills.  In the market for furniture, I am still on the prowl for the perfect junk store, freebie, dirt mall, flea market, vintage store and now nationally, Craig’s List and Ebay find.  So far, I’ve acquired a few 70’s suitcases (to hold my junk), a cat covered in seashells and a variety of plastic cameras for use in my pinhole camera project.

The junkin’ rules are what I continue to live by and the challenge is what keeps me looking.  The collection isn’t just the object, but the history and the good memories of the camaraderie along the way.  One day, I will find myself a yellow Volkswagen Beetle just like the one Aunt Omie had.


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